Bend your knees. Use your legs. Turn your shoulders. Extend your elbow at impact. Flick your wrists. These are just some of the verbal cues that we’ve all heard countless of times. Notice any similarities? Let me give you a hint...the focus of these instructions are directed exclusively towards a body segment or part. Is this type of feedback relevant? Does it help improve technique and ultimately, performance? Let’s take one of these examples and break it down. 'Bend your knees'. How does a player interpret this cue? I mean how low should I bend my knees? Is a 90 degree bend more or less effective than a 100 degree bend? On which type of shot? Should one knee be bent more than the other? As you can see, this cue can be interpreted in a number of different ways depending on the athlete and the context.
Most tennis players spend hours on the practice courts. And for good reason - tennis is darn tough. The question is, are these hours on court productive hours or redundant? How can we know? To assess whether our training is effective (and that it'll transfer to matchplay) we must first understand the demands of elite tennis.
In this post, we’ll review a study by Pereira et al (2016) that dives into the movement details of professional tennis. Other studies have previously analyzed movement characteristics; but, those studies replaced tournament matches with simulated matchplay. The present study observed movement characteristics via official ITF sanctioned matches.
I’m constantly trying to bridge the gap between how players should train off the tennis court and how they should train on the tennis court. It’s important to look at on-court tennis training through a physical lens as much as a technical or tactical one as these qualities are all interrelated. Let's look at an example to illustrate this point. Say you're working on retrieving tough wide balls on the backhand side. Not only is technique targeted (attempting to refine open stance backhands, for example), tactics (being able to send the ball back high/deep and with plenty of spin for example) along with the specific movement qualities (explosiveness, acceleration, deceleration) are also being trained. As you can see, it’s very difficult to separate one quality from another as they are all in some way related.
